74 Royalty-Free Audio Tracks for "Midi Files Of Chord Progressions"

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.